For anyone interested in music theory in terms of form and analysis, musical syntax or the ‘sound of prose’ and how it may work closely with its more literary neighbors, there’s a great post just up at An und für sich already yielding some interesting discussion. This post (On Some Sentences of William Gass) is part of a book event on William H. Gass’s Omensetter’s Luck of which I will soon be submitting. As someone indulging in a bit of literary analysis from a music background of sorts, I’ve already found it quite interesting, and wager you will as well.